More than a few superficial observers
of America's rotten sub-culture must no doubt be surprised to learn that a recently deceased "White guy" was actually
the driving force behind the promotion of decidedly anti-White "gangsta rap" music. Over the course of his miserable
existence, Jerry Heller, the son of a low-level Jewish mobster, raked in many millions of dollars while corrupting
and inciting Black youth.
From the Slimes' article which honors the bastard:
"Jerry Heller, a veteran music manager who helped introduce N.W.A to the masses and promoted
gangsta rap to a mainstream audience, died on Friday in Thousand Oaks, Calif. He was 75."
Heller's N.W.A. --- all grown up, filthy
rich and still acting like Los Angeles street punks.
For the uncultured among you, N.W.A. was a popular 1990's "hip hop" group known
for violent lyrics and anti-cop songs. The acronym stands for: "Niggaz
Wit Attitudes" --- that's "Niggers With Attitudes" for the ebonically challenged.
The musical marauders "outta Compton" consisted of the star-studded cast of Arabian Prince, Dr. Dre, Eazy-E, Ice Cube, DJ
Yella and MC Ren. (rolling eyes) Here is just a bit of the profane poetry puked out by Heller's badboys,
and taken to heart by millions of frustrated young black males: (Warning!)
the police coming straight from the underground
A young nigga got it bad cause I'm brown
And not the other color
so police think
they have the authority to kill a minority
Fuck that shit, cause I ain't the one
for a punk
motherfucker with a badge and a gun
to be beating on, and thrown in jail
We can go toe to toe in the middle of
Fucking with me cause I'm a teenager
with a little bit of gold and a pager..
-- From "Fuck the Police
It may be hard for the 30 and under crowd to conceive, but there
was a time when Black music was clean, full of positive energy and pleasing to the ear (if one was fond of that particular
genre). That was when it was Black-owned and Black-promoted. In addition to "Blues" and "Jazz", the most notable genre was "Motown"
-- a term which came to represent both a style of music and an American record company. The company was founded by
Berry Gordy, Jr. as Tamla Records in 1959, and incorporated as Motown Record Corporation in 1960, in Detroit,
While Gordy was at the helm. Motown cultivated
and promoted clean acts that often had wide "crossover" appeal to White audiences -- familiar names like Smokey
Robinson, The Four Tops, The Jacksons, Diana Ross, The Temptations, Lionel Ritchie, Stevie Wonder et al. The upbeat
songs and the well-dressed performers were non-offensive -- and singers spoke proper English. Imagine that!
The Four Tops, Lionel Ritchie -- mushy love songs and upbeat tunes --- nothing about fornication, drug dealing, bitches,
ho's, or killing cops
So, what the bloody heck happened to Black music? How did it devolve so quickly from innocent and catchy tunes to
the violent, sex-crazed, pro-drug, anti-cop, anti-White noise pollution heard today? If they don't already know, regular readers
of The Anti-New York Times will no doubt hypothesize that the rapid descent of Black pop-music was engineered
by the same usual suspects (cough cough) who took over and corrupted once-clean Disney, MTV, Nickelodeon, BET etc.
Well, hypothesize no more, because any such suspicions are indeed correct! (surprise surprise)
Regarding Motown, which is just one example, in December
1998, after already having been sold to a company called Polygram, Motown was acquired by Seagram and absorbed
into its Universal Music Group. Seagram, better known for its alcohol products, is owned by the Bronfman
Family -- a Canadian-American Jewish dynasty who, in terms of sheer power and influence, rank right up there with
the Sulzbergers and the Rothschilds. Needless to say, Motown, (by now relatively insignificant)
and Black music in general, have never been the same. At the same time that the usual suspects continue to poison Black youths with their
demonic music, they also incite Blacks against Whites and against the police.
It's the ultimate societal false-flag operation, and it's a "twofer"
to boot! First, they ruin millions of young Black lives with moral poison, family dissolution and economic disintegration;
then, using their wholly-owned Black Judas-Goats (Obongo, Black Lives Matter, Jesse JackAss, Al Charlatan, skanky Beyonce,
et al), they sic the frustrated, fatherless and envious "Frankenstein monsters" -- which they themselves
created -- against the big bad White Man and the evil "pō-leece." They've even got stupid suburban White kids hooked on this soul-crushing garbage now.
What a dirty damnable game! Rot in hell, Mr. Heller (pun intended), rot in hell.
1- Berry Gordy, the
father of Motown, ran a clean operation.
Edgar Bronfman Sr., who later gained control of Motown, receives the "Medal of Freedom" from President
3- "The same White people keeping you down have
been oppressing us Jews for centuries. We need to stick together, Tyrone, because we're your friends."
1: I read in the New York Times today about a guy named Jerry Heller. I didn't
know that a White man was so instrumental in promoting gangsta hip-hop.
2: Some of the Black activists have a point when they complain about how Whites
are appropriating Black culture in order to profit from it.
Sugar: Heller wasn't "White" --- you $#*^@& ass-clown! He was a #*^@#*!^&!
Editor: Sugar never really cared much
for the "cough cough" thing.
"Reach Out, I'll Be There" (1967) --The Four Tops sing about undying love and loyalty.