Though the news of the death of actress Heather Menzies
is of no concern TomatoBubble / The Anti-New York Times, it does provide us with a good
opening for shedding some light on the immense Jewish propaganda value of the classic 1965 musical drama, The
Sound of Music, starring,
in addition to a young Menzies, the "A-listers" Julie Andrews and Christopher
made SoM such an effective propaganda vehicle was that the poison was delivered within the body of a heartwarming
story of an Austrian-Aryan family, and greatly sweetened by the beautiful singing of Julie Andrews and the
children. As a song which Andrews herself made famous in Mary Poppins goes: "a spoonful
of sugar helps the medicine go down." And indeed, in the case of SoM, that "medicine" was the
not-so-subtle "anti-Nazi" contextual message of the film.
"The Editorial Board" apologizes in advance (actually,
not) if this story ends up souring your previous love for this seemingly beautiful film. But it's time to set the record
straight about the damaging Fake History which serves as its mushy backdrop.
What's not to love about a musical
about a beautiful, happy and loving Aryan-Austrian family singing in the Alps with angelic voices? Plenty! Leave it to "the
usual suspects" to drop a poison pill inside a pretty package.
The Sound of Music was produced
and directed by Robert Wise (cough cough) as an adaptation of the 1959 Broadway show of the same
name, composed by Richard Rodgers (cough
cough) and Oscar Hammerstein II (cough
cough), and screenplay by Ernest Lehman (cough cough). Based on the memoir
The Story of the Trapp Family Singers by Maria von Trapp, the film is about Maria, a young Austrian
woman who is sent to the villa of a retired naval officer and widower, Captain Georg von Trapp, to be governess to his seven children. After teaching music to the children, she
marries the officer.
USING ARYAN IMAGERY TO ATTACK
THE HATED ARYANS
Behind the facade of the beautiful Germanism of the Sound of Music lurked the
usual suspects --- Rodgers, Hammerstein, Wise and Lehman.
While away on their honeymoon, the Captain learns that Globalist
puppet Austria has been annexed by Germany in the Anschluss (March, 1938). The couple returns
to their home, where a telegram awaits informing the Captain that he must report to a German Naval base to accept a commission
in the German Navy. Strongly opposed to the big bad "Nazis" ™ and the Anschluss, the Captain tells his family they must leave Austria immediately.
Many of the von Trapp's friends are willing to
accept the new regime, including Rolf -- who Liesl von Trapp is devastated to see has joined the big bad Hitler Youth. That
night, as the von Trapps attempt to "escape," they are stopped by a group of big bad Brownshirts ™.
When questioned, the Captain tells them that they are headed to a festival to sing. That night at the festival, the von Trapp
family slips away and shelters at the nearby abbey, where nuns hide them in the cemetery crypt (rolling eyes -- only
a Jew could write this crap).
The big bad Brownshirts
™ soon arrive and search
the abbey. The family is discovered by Rolf -- Liesl's ex-boyfriend. Upon seeing Liesl, Rolf hesitates, thus allowing the
family time to "escape," by taking a car. When the big bad Brownshirts ™ attempt to pursue the "fugitives," they
discover their cars will not start because the nuns have removed parts of the engines. The next day, after reaching the
Swiss border, the von Trapps make their way on foot into Switzerland, where they will live, love, laugh and sing happily
The hyped-up film became the
highest-grossing film of 1965. By November 1966, SoM had become the highest-grossing film of all-time—surpassing
Gone with the Wind -- and held that record for five years. SoM was also popular throughout the world,
shattering box-office records in 29 different countries!
Both the Broadway
and Hollywood versions spread the anti-Nazi propaganda thick. In Image
2, Captain von Trapp rips up the German flag. Image 3. Rolf's decision to join the Hitler Youth and become a
big bad Brownshirt ™ cost him the love of Liesl von Trapp.
THE TRUTH ABOUT THE ANSCHLUSS
German Postage Stamp: Ein Volk -- Ein Reich (One People - One Realm)
The post WW 1 Versailles Treaty
had broken up the Austro-Hungarian Empire and forbid the newly established "democratic" state of Austria from uniting
with Germany. But after
seeing the great success of Germany, there was no stopping the Austrians desire to unite with their Germanic brothers. The happy marriage was supported by 99% of Austrians and Germans, but opposed
by the puppet Austrian government instituted by the Allies after World War I, the Jewish minority in Austria, and also
the snobby aristocratic types who held Hitler's populist system of equal opportunity in utter disdain.
Without a shot being fired, German forces moved
in unopposed and were greeted as liberators by the joyous people of Austria. As a brotherly gesture towards the Austrians,
The Great One (that's Hitler for all you newbies and normies) invited Austrian troops to march inside
of Germany as well. When The Great One himself came to visit the land of his youth,
he was given a hero's welcome by the frenzied Austrian crowds. Not surprisingly, the western Globo-Zionist media portrayed
the joyful unification as: "Germany Conquers Austria.” So, if indeed the real-life Captain von Trapp actually was "anti-Nazi," -- it was only because
he was part of the out-of-touch, insensitive, well-connected, well-fed, top 1% ruling class of puppet Austria; and not part
of the starving masses who absolutely adored The Great One.
That's the truth about the big
bad Anschluss. And no amount of Broadway (cough cough) or Hollyweird (cough cough) bullshit, mixed in with
angelic-sounding "do-re-me-fa-so-la-te-do" and beautiful Alpine imagery can change it.
Over-joyed Austrians turn out to welcome The Great One, their hometown-boy-turned-liberator.
Image #3, The Great One lays a wreath at the grave of his parents.
the Anschluss, fed-up Austrians made the Marxist Jews of Vienna scrub their anti-German political graffiti off of the sidewalks.
1: I read in The New York Times today that actress Heather Menzies passed away. She was one of
the singing von Trapps in the Sound of Music.
Americanus 2: Indeed she was. For its cinematic content, musical score and anti-Nazi
cultural significance, the Sound of Music remains a truly immortal film.
Sugar: Sshut the #@&^ up, Boobuss! Sseruiussly, just sshut
the #@&^ up!
Editor: ♪ ♩The hills are a-live,
with the sound of Su-gar. ♪ ♩
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