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"MODERN ART" IS MARXIST ART
By Mike King
"All The News That Sulzberger's
Propaganda Rag Saw Fit To Distort"
Daily Web Page Summary of the Dirty Lies, Glaring Omissions,
Half Truths & Globalist Bias of The NY Times Front Page Headlines
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NY Times: Steven Cohen,
Billionaire Collector, Gives $50 Million to MoMA
The House of Horrors
in Marxist Manhattan commonly referred to as "the MoMa" -- short for Museum of Modern Art
-- just received a $50 million donation from billionaire Steven A.
Cohen (cough cough). The money will help to fund a $400 million renovation and expansion project. Of course,
as all good attention-seeking "philanthropists" of "The Tribe" expect, MoMA’s massive new gallery
will be named the "Steven and Alexandra Cohen Center for Special Exhibitions."
The Cohen's contribution is impressive, but only
half as much as the $100 million which Hollywood media mogul and open sodomite
David Geffen (cough cough) donated to the project last year. Just think of the good works
that these many millions of dollars could have done for free children's hospitals like New York's St. Jude
or Philadelphia's Shriners Hospital; or for Deborah Heart & Lung of New Jersey (also
free to the public); or for organizations like Homes For Our Troops which builds free specially-adapted
homes for crippled veterans, or for any of a number of other highly-rated charities across the country which help the truly
needy. But no, these otherwise greedy Marxist Jews and many others like them prefer to throw their money away on funding the
cultural vandalism referred to as "modern art." Why is that?
David Geffen dumped $100 million into MoMa / Libtarded imbeciles marvel at vandalism.
Of course, these characters
are neither stupid nor fiscally irresponsible. There is a deliberate method to their Marxist madness which is as evil as it
is brilliantly conceived. It is a self-evident truth that "Modern
Art" has always been aggressively promoted by all of the various tentacles of the New World
Order crime gang -- including the Communist Party USA. And when
Sugar and I, er, "The Editorial
Board" of The Anti-New York Times throw out a term like "self-evident,"
we don't use it as a rhetorical ploy like the slimy scribblers of Sulzberger's Slimes do. No sir; we
actually mean that it is an indisputable fact -- Google: (CIA & Modern
Art: here) -- (Communist Party & Modern Art: here) -- (Rockefeller Family & Modern Art: here) -- (Rothschild Family & Modern Art: here) -- (Soros Family & Modern Art: here) -- (The United Nations & Modern Art: here) etc., etc., etc. Add to that high-powered
list of direct financial "patron of the arts" the Sulzberger-Ochs Family
-- whose "paper of record" has long puffed-up creepy charlatans such as the openly Stalinist
Pablo Picasso and the madman Jackson Pollock.
Typical crap you'll find on the walls of the MoMa.
agenda behind this century-old movement (proudly referred to as "anti-art"
by its early Marxist practitioners (here)) to replace the good stuff with neurotic garbage benefits the Globalists. You
see, boys and girls, Modern Art -- just like much of Modern Music, Modern Literature, Modern Science etc. -- distorts
and perverts the appreciation and understanding of the good, the true and the beautiful. Convince the
notoriously vain "intelligentsia" in any given society that up is down, black is white, crap
is gold, gold is crap, men are women, women are men, etc, and soon you can sell these "educated" chumps anything.
From there, the madness will eventually flow downhill to "the masses." There is no right and wrong for truth, like
Einstein's "curved universe" (rolling eyes) and his "time warps" (rolling
eyes) is all about "relativity."
The essence of "modernism" is to suppress one's own God-given instincts, and then choose
to believe in nothing, unless the "powers that be" (cough cough) instruct and authorize you to believe
in something, that is. Ever notice how most of the main characters of modern literature and film are
usually not heroes like those of yesteryear? The protagonist these days is typically a mentally
conflicted hybrid weirdo -- neither good nor bad. Likewise, the modernist painter or sculptor is not
at all concerned with beauty and truth. To the modernist, truth is only a point-of-view which aimlessly
drifts with the polluted tide of "popular opinion" ™ -- that manufactured dogma which is nothing but a mass psychosis
engineered by the usual suspects. In literature and art, and even "theoretical science," there
is now a complete rejection of truth and beauty. Heck! Even the Poop Francis of the "modern Vatican" refuses to
call sin by its rightful name. Although the Argentinean ass-clown did indeed pass very strong judgements
against Global Warming ™ and xenophobia ™, but we digress.
In the final analysis, a people that can no longer distinguish
truth and beauty from falsehood and ugliness, is a people that is ripe for all manner of political deception,
oppression and enslavement. And that is why Modern Art is the art-of-choice for the cultural vandals
behind the New World Order --- and it is also why The Great One, (that's Hitler for
you newbies and normies) a talented painter himself (see examples below), protected his
people from this massive financial and psychological con-game that is still being played today.
"Works of art that cannot be understood but need a swollen set of instructions to prove their
right to exist and find their way to neurotics who are receptive to such stupid or insolent
nonsense will no longer openly reach the German nation."
Tell it, Great One. Tell it!
1: I read in the New York Times today that a wealthy Jewish philanthropist just donated $50 million to
2: Awesome! You know, I have always admired the Jewish people for their generosity and public spiritedness
in supporting our important cultural institutions.
Sugar: Look at my frickin' sself-portrait, everybody! I sslaved over it for
all of 30 ssecondss. Can I get ssome Jew-money too?
Editor: Definitely refrigerator-worthy --- but stick to editorializing.
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